Lady Chatterley's Lover Study Guide

In Lady Chatterley's Lover , Lawrence comes full circle to argue once again for individual regeneration, which can be found only through the relationship between man and woman (and, he asserts sometimes, man and man). Love and personal relationships are the threads that bind this novel together. Lawrence explores a wide range of different types of relationships. The reader sees the brutal, bullying relationship between Mellors and his wife Bertha, who punishes him by preventing his pleasure. There is Tommy Dukes, who has no relationship because he cannot find a woman whom he respects intellectually and, at the same time, finds desirable. There is also the perverse, maternal relationship that ultimately develops between Clifford and Mrs. Bolton, his caring nurse, after Connie has left.

Mind and body

Richard Hoggart argues that the main subject of Lady Chatterley's Lover is not the sexual passages that were the subject of such debate but the search for integrity and wholeness. Key to this integrity is cohesion between the mind and the body for "body without mind is brutish; mind without body... is a running away from our double being." Lady Chatterley's Lover focuses on the incoherence of living a life that is "all mind", which Lawrence saw as particularly true among the young members of the aristocratic classes, as in his description of Constance's and her sister Hilda's "tentative love-affairs" in their youth:

So they had given the gift of themselves, each to the youth with whom she had the most subtle and intimate arguments. The arguments, the discussions were the great thing: the love-making and connection were only sort of primitive reversion and a bit of an anti-climax.

The contrast between mind and body can be seen in the dissatisfaction each has with their previous relationships: Constance's lack of intimacy with her husband who is "all mind" and Mellors's choice to live apart from his wife because of her "brutish" sexual nature. These dissatisfactions lead them into a relationship that builds very slowly and is based upon tenderness, physical passion and mutual respect. As the relationship between Lady Chatterley and Mellors develops, they learn more about the interrelation of the mind and the body; she learns that sex is more than a shameful and disappointing act, and he learns about the spiritual challenges that come from physical love.

Neuro-psychoanalyst Mark Blechner identifies the "Lady Chatterley phenomenon" in which the same sexual act can affect people in different ways at different times, depending on their subjectivity. He bases it on the passage in which Lady Chatterley feels disengaged from Mellors and thinks disparagingly about the sex act: "And this time the sharp ecstasy of her own passion did not overcome her; she lay with hands inert on his striving body, and do what she might, her spirit seemed to look on from the top of her head, and the butting of his haunches seemed ridiculous to her, and the sort of anxiety of his penis to come to its little evacuating crisis seemed farcical. Yes, this was love, this ridiculous bouncing of the buttocks, and the wilting of the poor insignificant, moist little penis." Shortly thereafter, they make love again, and this time, she experiences enormous physical and emotional involvement: "And it seemed she was like the sea, nothing but dark waves rising and heaving, heaving with a great swell, so that slowly her whole darkness was in motion, and she was ocean rolling its dark, dumb mass."

Class

Lady Chatterley’s Lover also presents some views on the British social context of the early 20th century. This is most evidently seen in the plot; the affair of an aristocratic woman (Connie) with a working class man (Mellors). This is heightened when Mellors adopts the local broad Derbyshire dialect, something he can slip in and out of. Critic and writer Mark Schorer writes of the forbidden love of a woman of relatively superior social situation who is drawn to an "outsider" (a man of lower social rank or a foreigner). He considers this a familiar construction in D.H. Lawrence's works, in which the woman either resists her impulse or yields to it. Schorer believes the two possibilities were embodied, respectively, in the situation into which Lawrence was born, and that into which Lawrence married, therefore becoming a favourite topic in his work.

There is a clear class divide between the inhabitants of Wragby and Tevershall, bridged by the nurse Mrs Bolton. Clifford is more self assured in his position, whereas Connie is often thrown when the villagers treat her as a Lady (for instance when she has tea in the village). This is often made explicit in the narration, for instance:

Clifford Chatterley was more upper class than Connie. Connie was well-to-do intelligentsia, but he was aristocracy. Not the big sort, but still it . His father was a baronet, and his mother had been a viscount's daughter.

There are also signs of dissatisfaction and resentment from the Tevershall coal pit colliers, whose fortunes are in decline, against Clifford who owns the mines. Involved with hard, dangerous and health-threatening employment, the unionised and self-supporting pit-village communities in Britain have been home to more pervasive class barriers than has been the case in other industries (for an example, see chapter two of The Road to Wigan Pier by George Orwell.) They were also centres of widespread non-conformist (Non-Anglican Protestant) religion, which tended to hold especially proscriptive views on matters such as adultery. References to the concepts of anarchism, socialism, communism and capitalism permeate the book. Union strikes were also a constant preoccupation in Wragby Hall.

Coal mining is a recurrent and familiar theme in Lawrence's life and writing due to his background, and is also prominent in Sons and Lovers and Women in Love , as well as short stories such as Odour of Chrysanthemums .

Industrialisation and nature

As in much of Lawrence's fiction, a key theme is the contrast between the vitality of nature and the mechanised monotony of mining and industrialism. Clifford wants to reinvigorate the mines with new technology and is out of touch with the natural world. In contrast, Connie often appreciates the beauty of nature and sees the ugliness of the mines in Uthwaite. Her heightened sensual appreciation applies not just to her sexual relationship with Mellors, but to nature too.