Essays on The Tempest

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  • A Jungian Interpretation of the Tempest

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    A Jungian Interpretation of the Tempest Shakespeares Tempest lends itself to many different levels of meaning and interpretation The play can be seen on a realistic plane as a tale of political power and social responsibility It can be seen as allegory examining the growth of the human spirit The Tempest investigates marriage love culture It is symbolic of mans rational higher instincts verses his animal natural tendencies This is a play of repentance power revenge and fate that can also be see

  • Analysis of The Tempest

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  • British Colonialism in The Tempest

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    During the end of the 16th century William Shakespeare was one of the most famous writers Shakespeare wrote all sorts of different genres in his career but his most popular comedic play is The Tempest The Tempest is a magical play about wizardry betrayal and love The play takes place on an island where a magical wizard and his daughter life The two are invaded by seamen who had survived a shipwreck In the play Shakespeare criticizes the British colonization in India Shakespeares The Tempest pre

  • Caliban And Prospero in The Tempest

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    Shakespeares play The Tempest revolves around the theme of power A duke is usurped a conspiracy to kill a king is made and everyone seems to have a different notion of power But there is one belief they all agree on Calibans inferiority including Caliban himself While it is certain that Caliban has more to his character than what is superficially portrayed he is still considered the lowliest creature This is the manifestation of the social hierarchy that existed during the time this play was wr

  • Commentary on Act 3 Scene 3 of The Tempest

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    Shakespeares The Tempest is a play about a man named Prospero once the Duke of Milan who was usurped by his younger brother Antonio with the help of Alonso the king of Naples He was left on the sea with his baby daughter Miranda to die but luckily he survives on an island By some force of fate a ship containing his traitors is nearby Prospero uses magic whose study cost him his dukedom to cause a tempest and to bring the traitors on land making them think they have been shipwrecked He then begi

  • Commentary on The Tempest

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    In William Shakespeares The Tempest the play opens in the midst of a violent storm onboard a ship that was bound for Naples It was later shipwrecked on an island where the exiled Duke of Milan Prospero and his daughter Miranda lived for the past 12 years On board the ship were Alonso the King of Naples his son Ferdinand his brother Sebastian his counsellor Gonzalo Prosperos brother Antonio and other members of the Court The story goes Prospero the Duke of Milan was devoted and engrossed in the

  • Femininity in The Tempest

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    In this essay I will be discussing the representations of Sycorax and Miranda as embodiments of alternative versions of femininity in The Tempest I will discuss how Sycorax is a representation of a strong independent and feared woman whose power and ugliness makes her an outcast to Elizabethan society and how it portrays its women in that woman were seen as objects to possess and control and I will also discuss how in contrast Miranda is seen as an ideal woman of her time through her beauty obe

  • Forgiveness in The Tempest

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    Though with their high wrongs I am struck to the quick yet with my nobler reason gainst my fury do I take part the rarer action is in virtue than in vengeance V i In The Tempest by William Shakespeare exhibits through emotional battles how two characters undergo life changing experiences that deal with forgiveness and compassion The story told of a magician named Prospero his daughter Miranda their slaves Caliban and Ariel who inhabit deserted island until a stranded party come This party compr

  • Jealousy in The Tempest

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    The Jealousy of Othello and the Motives of Iago in William Shakespeares Othello The Orthodox interpretation of Shakespeares Othello is built on two assumptions that Othello is not a jealous man and that Iago has no motives Although there are many examples of these opinions within the play I believe there is much more evidence which contradict these two statements which allow me to conclude that Othello is in fact a jealous man and that Iago does have motives As the play progresses the audience

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